Fiction as Apophantic Structure in Works of Art

What are the mechanism, which make a literary work affect the contents of our consciousness? How is the structure of the world, that is based on language? How to produce a literary text of quality? How about the truth in works of Art?

The kind of fiction in a literary work depends on the the type of language, in which it is based.

The dark, ambiguous language of myths, religious proclaimers, of propaganda does generate the layer of projections.

The clear, logical language, best suited to depicting epic relationships, is the layer of propositions.

And finally the language, that is based on an intermediate world, built from conventions, this language is carrying the layer of presuppositions.

The entirety of the language-layers forms the apophantic structure of a specific literary work. The apophantic inquiry of the content of a literary text inevitably leads to literary interpretation, based on the philosophy of knowledge.

The edition and selection of works of art should be based on an efficient art theory.

Editions opening access to literature out of time and out of place, due to its classic character, gives publishers the power, to restructure the brains of the population. Reading a few works of global classical literature already changes the complexity of the contents of consciousness and modifies the type of intelligence: the person becomes individualized and their horizon opens up to a broader reception of the real world.

By publishing classic books, philologists can make people look at the real world, without being manipulated by the current values, established by groups. In this way they will help the population to return to an individualized life as in the good times of history.

But as in the field, there is a time to plant and a time to harvest. The time to revive classical poetic art, by publishing essential rare works, may yet come.